Ebook These Are the Voyages: Gene Roddenberry and Star Trek in the 1970s, Volume 1 (1970-75)

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These Are the Voyages: Gene Roddenberry and Star Trek in the 1970s, Volume 1 (1970-75)

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Product details

Paperback: 764 pages

Publisher: Jacobs Brown Press (February 16, 2019)

Language: English

ISBN-10: 0999507885

ISBN-13: 978-0999507889

Product Dimensions:

7 x 1.7 x 10 inches

Shipping Weight: 3.5 pounds (View shipping rates and policies)

Average Customer Review:

3.1 out of 5 stars

5 customer reviews

Amazon Best Sellers Rank:

#444,327 in Books (See Top 100 in Books)

There are several glaring mistakes that I’ve spotted already (James Blish is NOT an English writer; he’s an American who lived in England for the final 7 or so years of his life.) But Cushman is not one to quibble over details, and never has been. So, don’t assume his details are accurate.But the real issue is the horrible formatting of the Kindle version. Sentence fragments float willy-nilly on the pages. Paragraphs start and end in the middle of sentences. None of what are apparently meant to be footnote references work - they’re not hyperlinked to anything.For a $20 ebook, readers would expect, at very least, a readable text. We don’t get it here.Don’t buy this book unless and until the publisher fixes it.

Sure, I dearly loved the three previous Cushman's Star Trek volumes, chalk full of detail and analysis and written in a wonderful style. The same approach is used here, but honestly the source material is simply not very compelling. Genesis II, Strange New World, and Planet Earth weren't very good when they first came on, so an extended analysis of each of these failures falls flat. And while I dimly remember the TV movie about Questor, again the show never got off the ground, so again the extended discussion there is mainly about things that never came into being.The sections on the animated series were interesting, but again - while they are tangentially interesting and much advanced compared to kiddie fare of the era, these are still kiddie shows, with a short running time and basic plots.Finally, the discussion about Star Trek's resurgence is already well documented, so you will find little new here on that topic. In short, I liked the book, recommend it for fans, but it simply isn't as interesting cause the events of 1970-1975 were not as interesting.P.S. There is also a section on what the various actors were doing after Star Trek but other than Shatner and Nimoy these parts will just make you sad.

The formatting of this book is terrible, with the first chapter among the worst I have seen in a Kindle text. Paragraphs are mis-inserted in sections. It’s embarrassing for the author and publishers to have released this. It’s really disappointing for a $20 book. I would like to request the publisher be contacted and a fixed edition be given to purchasers.

First, let me say that I own Marc Cushman's other three TOS and they do a service to Star Trek's history and tradition that few other books can match. It's not written solely for the casual fan, the nostalgia boomer, or the convention enthusiast. It is a scholarly (but VERY relevant) work that examines the Historical, Economic, Sociological forces that made the franchise (for both better and worse) what it was. I initially had concerns that there might be sections of the book that might not be as interesting because they weren't "100% Star Trek-100% of the time". But the scope of the three TOS books were FAR broader than those narrow fields of view (and are better for it) as well.For fans of the "mythology" of the series, EACH episode of the animated series is exacting in its detail, with accounts collated from many different sources about how each came to be. For my money, I found the accounting of details concerning the "cross-pollination" of Star Trek's mythology and (Science Fiction Author) Larry Niven's "Ringworld" mythology to be CAPTIVATING. Some of those animated series episodes are better than others, and some are somewhat derivative of TOS episodes, but the book does a good job of maintaining its critical veracity there as well. Where praise is deserving, their observations are SPOT ON. All of Mr. Cushman's books (that I've read) have a nearly unique ability to transport me back to that place and that TIME in ways that don't just help me place where I was and what I was doing (I was a kid, that makes it a heavier lift than it is for adults, at least IMO), but also serve as a point of reference for what was affecting my life in ways that (Star Trek aside) I probably didn't have clear insight into at the time. In some ways, it's as close to a virtual time machine for the reader as I'm likely to ever encounter. But since THAT'S now addressed, let me mention the pleasant surprises: I had little recollection of Roddenberry's associations with the production of the Motion Picture "Pretty Maids All In A Row". At first blush, I was tempted to skim through it, but once I got through the first few pages, I found it to be every bit as informative and enlightening as the other sections. The scholarship and listing of references makes its value as a REFERENCE tool for how Television worked (and didn't, then and most likely even now) is the reason it should be on any person's shelf who values (and wishes to support) SUBSTANTIVE renderings on all things tangential to our common Post-Modern Cultural heritage. If you dislike being talked down TO, this book is for you. It won't insult your intelligence. In that way, it's like the series itself, at least in its best moments. It treats the reader with sobriety and a dignity that I personally find rare these days. The other sections of the book grace us with detailed recollections of the syndication phenomenon of which we were all a part, "Genesis II" (which I remembered for decades after I saw it-few believed me when I told them that "Dylan Hunt" was a creation of Roddenberry's long BEFORE Andromeda), "Earth 2" and "The Questor Tapes". Those sections are as entertaining and informative as the other sections are. I only knew of "The Questor Tapes" from Roddenberry's comments about it on the CBS "Star Trek" LP from the '70s. So to summarize: When I first ordered my copy, I was concerned that there might be some "filler" in this book as the time frame covered within its scope was considered a "low point" in the franchise's History. It turns out that it's one of the MOST interesting times, for exactly the same reason. I heartily recommend it and not JUST for Star Trek enthusiasts. Serious students of Entertainment Media and the Communications Industry will find much of use in it. And, lest I forget, it's just plain fun to READ! I still think Mr. Cushman should prioritize a like this for the "Wild, Wild West". Some of the same people (if I read my credits correctly) were involved in both series.

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These Are the Voyages: Gene Roddenberry and Star Trek in the 1970s, Volume 1 (1970-75) PDF

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Product details

File Size: 1339 KB

Print Length: 58 pages

Publisher: Roberts Press (April 16, 2013)

Publication Date: April 16, 2013

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B00628N4CA

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Get Free Ebook Silence and Beauty: Hidden Faith Born of Suffering, by Makoto Fujimura

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Review

"Only Mako Fujimura could have written this book. It sheds light on a wealth of topics―a classic novel, Japanese culture, Martin Scorsese's filmmaking, the fine arts, theology, the enigmas of East and West―and leaves the reader with a startlingly new encounter with Christ." (Philip Yancey)"Fujimura . . . unearths universal implications about faith, suffering, and art in this focused literary study of one novel, Shusaku Endo's Silence. . . . Fujimura analyzes Japan’s fumi-e culture, calling it 'a culture of lament,' and asserts that 'faith can include our failures, even multiple failures.' Stories of historical figures on which Endo based Silence, scriptural analysis, and a wide range of literary and artistic references from both Japanese and Western culture (including Martin Scorsese’s 2016 film adaptation of Silence) add rich, refracted layers to this carefully crafted, masterful book." (Publishers Weekly STARRED REVIEW, March 11, 2016)"Makoto Fujimura is a remarkable artist and writer, and his engagement with the writings of the great Shusaku Endo―and Silence in particular―is deep and impassioned, as you will discover on every page of this book. By way of response to a great artist, Fujimura has created a quietly eloquent meditation on art and faith, and where they converge." (Martin Scorsese, director of Gangs of New York, The Wolf of Wall Street, and Silence)"My friend Mako Fujimura is one of the most thoughtful, sensitive and eloquent artists of this generation. Like his otherworldly and luminous paintings, his book Silence and Beauty is at once glorious and profound, an exquisite exploration of truth and beauty, silence and suffering. Give yourself and others the immeasurable gift of this gentle, inspiring treasure." (Eric Metaxas, New York Times bestselling author of Bonhoeffer: Pastor, Martyr, Prophet, Spy)"Makoto Fujimura's Silence and Beauty (IVP, 2016) artfully probes Shusaku Endo's famous novel Silence, and in doing so shows how God's truth bores through silence and darkness." (Marvin Olasky, WORLD, April 16, 2016)"Fujimura's book is a brilliant blend of investigation and reflection. The reader learns about the compelling history of Christianity in Japan and its strangely enduring influence there, while at the same time being led into a profound meditation on the relation of Christian faith to contemporary culture. A truly impressive achievement." (Gordon Graham, Henry Luce III Professor of Philosophy and the Arts, Princeton Theological Seminary, author of The Re-enchantment of the World)"How can we live in a world where we encounter suffering every day? Where is the voice of God when we doubt his goodness? It takes a very specific perspective to write beautiful prose about these questions, but in this book, Mako does just that―exploring the themes raised by Endo's novel and their continuing resonance across our difficult, anxious times. Silence and Beauty is a gift for us as we try to be the fragrance of Christ in a suffering world." (Alissa Wilkinson, chief film critic, Christianity Today, assistant professor of English and humanities, The King's College)"Fujimura's Silence and Beauty is a truly remarkable spiritual, theological and intellectual autobiography for our time. It will be of interest to a broad readership, not least of all those who still hear the disorienting and potentially transformational call to intercultural mission in the way of Jesus. Fujimura's musings on the Christ-hidden culture of Japan, his own story and contemporary culture are revelatory, and his layering of the Ground Zero theme functions like a Rembrandt primer out of which a sublime beauty and grace emerges." (Thomas John Hastings, research fellow, Kagawa Archives and Resource Center, former professor of practical theology, Tokyo Union Theological Seminary)"When I read Shusaku Endo's Silence for the first time, I vowed that I would refuse to ever read anything written about it. I wanted to preserve the profound sense of mystery and beauty that the novel evoked in me. I am so happy now that I broke that vow by reading this wonderful book by Makoto Fujimura. Mako not only enhances and deepens the sense of mystery, but―as he has done so consistently in his visual works of art―he adds significantly to the beauty!" (Richard Mouw, president emeritus, professor of faith and public life, Fuller Theological Seminary)"Mako Fujimura offers us a moving and illuminating series of reflections on one of the most powerful novels ever written. He helps us to understand how Endo's tale of martyrdom lives in the tensions between East and West, faith and doubt, trust and betrayal. Above all, Fujimura enables us to sense that grace can live―and inspire new life―even in the midst of suffering." (Gregory Wolfe, editor, Image)

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About the Author

Makoto Fujimura is an internationally renowned artist, writer, and speaker who serves as the director of Fuller Theological Seminary's Brehm Center for Worship, Theology, and the Arts. He is also the founder of the International Arts Movement and served as a presidential appointee to the National Council on the Arts from 2003 to 2009. His books include Refractions: A Journey of Faith, Art and Culture and Silence and Beauty. Recognized worldwide as a cultural shaper, Fujimura's work has been exhibited at galleries including Dillon Gallery in New York, Sato Museum in Tokyo, The Contemporary Museum of Tokyo, Tokyo National University of Fine Arts Museum, Bentley Gallery in Arizona, Taikoo Place in Hong Kong and Vienna's Belvedere Museum. In 2011 the Fujimura Institute was established and launched the Qu4rtets, a collaboration between Fujimura, painter Bruce Herman, Duke theologian/pianist Jeremy Begbie and Yale composer Christopher Theofanidis, based on T. S. Eliot's Four Quartets. A popular speaker, Fujimura has lectured at numerous conferences, universities and museums, including the Aspen Institute, Yale and Princeton Universities, Sato Museum and the Phoenix Art Museum. Among many awards and recognitions, Bucknell University honored him with the Outstanding Alumni Award in 2012, and the American Academy of Religion named him as its 2014 Religion and the Arts award recipient. He has received honorary doctorates from Belhaven University, Biola University, Cairn University and Roanoke College.

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Product details

Hardcover: 263 pages

Publisher: IVP Books (May 1, 2016)

Language: English

ISBN-10: 0830844597

ISBN-13: 978-0830844593

Product Dimensions:

5.5 x 1 x 8.2 inches

Shipping Weight: 12.8 ounces (View shipping rates and policies)

Average Customer Review:

4.7 out of 5 stars

44 customer reviews

Amazon Best Sellers Rank:

#173,190 in Books (See Top 100 in Books)

How does one deal with disappointment and failure in his or her faith as a Christian? Are there lessons to be learned from them, and do the types of failure and suffering eschewed by the world (and our christian culture) actually deepen our faith in ways that wouldn't happen otherwise? These are questions that Silence and Beauty puts persons, places, and images to as Makoto Fujimura draws us into his own journey of personalizing Endo's novel Silence. In so doing, Makoto gently stirs up the reader's own reflections and inner conflicts related to the hiddenness, ambiguity, and beauty of what he calls fumi-e culture, so captivatingly and mystically expressed in Silence (and yes, you should read Endo's novel before this book). Silence and Beauty does much to frame and contextualize the times that the novel describes, translates it into Endo's times, and ultimately reveals relevance to our own. Perhaps Makato says it best on page 165: "In a world where religious freedom is increasingly considered a frontline issue, we will do well to learn from the multifaceted stories that Endo crafted to deal with such a time as ours". Makato proves that art can inform faith, and gives us a timely message of true, deep, and lasting encouragement for those open to receiving it.I hardly ever post a product review, but this book inspires my heartfelt recommendation.

Silence by Shusaku Endo is one of those books that is not easily forgotten. I read it a couple years ago and I rarely go more than a couple weeks without referencing it.Makoto Fujimura is a very well known artist, famous in many Evangelical circles for being a famous artist that is well known outside of Christian circles. Fujimura grew up in the US, but after college was accepted into a Japanese graduate program to study art. The first student to ever be accepted into this graduate program that did not grow up through the Japanese national art system. Fujimura became a Christian while studying art in Japan, a country with a very low rate of Christians.Silence and Beauty is an interesting book. It opens with a bit is spiritual memoir. Fujimura details how Shusaku Endo and his book Silence impacted his early faith. And unsurprisingly there is a long exploration of both Endo and Silence. That is done in the context of a rich sociological and historical study of Japan. And all of that is wrapped up in a defense of beauty and art as essential to Christianity. (I was reminded at times of of Francis Spufford's Unapologetic and Brian Zhand's Beauty Will Save the World.)At this point, this is the best books I have read this year. I have not previously read anything by Fujimura. But I will read more. I have ordered Silence so I can re-read it. (Silence is not available on kindle, and I previously listened to the audiobook, so I have ordered the paperback.) Once I am done I am going to re-read Silence and Beauty again. I am not going to detail the book much more this time, but will write another review later.As a note, this is a nicely designed hardcover book. There is a velum looking dustcover and several pages of color art in the middle of the book. I was encouraged to pick up the Hardcover, and I am glad I did to see the full color art. But I purchased the Kindle edition Sunday when it was released so I can highlight the many passages that I wanted to highlight. The Kindle edition has the same art, but the art is in line with the book where the images are talked about instead of being gathered together in the middle of the book. If you view the images on a tablet they are full color. But obviously, if they are viewed on an eink Kindle, they will be in black and white.

The story of how this book came to be is just as interesting as the book itself. Its title and inspiration come from Shusaku Endō’s 1966 novel Silence, about a Portuguese Jesuit who goes on a mission to Japan in the 17th century and faces the terrible choice of either recanting his faith or, if he does not recant, watching Japanese Christians endure brutal torture. If you haven’t read Silence yet, I highly recommend that you do so before diving into Silence and Beauty; however, Makoto Fujimura does include a synopsis of the novel at the end of his book to provide some context. Or…now that Martin Scorsese’s film adaptation is out, you can go see the movie. It’s an excellent adaptation, true to the novel’s themes, and therefore very difficult to watch, but well worth at least one viewing.Silence and Beauty relates Japanese-American artist Makoto Fujimura’s experience of becoming a Christian while in Japan studying nihonga, a traditional style of Japanese painting. Although these subjects may seem unrelated, Fujimura’s study of traditional Japanese art exposed him to the history of Christianity in Japan through his discovery of the fumi-e. Fumi-e (“stepping images”) are relief depictions of Jesus Christ and the Virgin Mary that the Tokugawa shogunate ordered suspect Japanese to trample on; those who refused to trample were identified as Christians and tortured. This discovery led Fujimura to Endō’s novel, in which the fumi-e are a prominent element of the plot. Years later, a conversation with Martin Scorsese about his film adaptation of Silence inspired Fujimura to write a book using Endō’s novel as a framework for reflections on his own experience with Christianity and Japanese culture.As a bilingual Japanese-American who has lived in Japan and the United States and shares Endō’s Christian faith, Fujimura is uniquely qualified to discuss both the cultural and religious aspects of Silence in a way that Western readers can understand. His commentary offers rare insight on how Japanese culture influenced the shape of Christianity in Japan and how Christianity, in turn, continues to shape Japanese culture to this day. I had never thought of Christianity having any significant influence on Japanese culture, as less than one percent of Japanese are Christians. Fujimura admits his is a “radical notion,” but it is certainly intriguing: “Endō …wrote in a country haunted by Christ, and this historical mark, like the footprints in the wooden frames of a fumi-e, remains indelible—but it is concealed, hidden within the Japanese psyche; this explains the psychological and sociological reality that affects Japan today. Further, I present here the most radical notion: Japan is still a Christ-hidden culture, haunted by the past, with a developed sense of hiding well what is most important. Endō, an archaeologist of cultural trauma, begins to dip into the mud, scooping up the elements of broken shards of the culture of Christianity in Japan, and discovers, in my mind, the essential beauty and humanity of Japan.”Silence and Beauty is highly illuminating to the themes in Endō’s novel and to the more subtle aspects of Japanese culture I was not aware of. Fujimura also sheds light on the life of Shusaku Endō, drawing from memoirs and interviews to interpret the author’s motivation and inspiration for writing Silence, which I found especially fascinating. If you want to understand more about Silence, its author Shusaku Endō, the mysterious relationship between Japanese culture and Christianity in Japan, or at least one of the above, you can’t have a better guide than Makoto Fujimura.

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